Then you can just EQ the sound a little bit differently left and right. This is great if you want to widen specific areas in your sound for example. And those modes usually are global and not per band. Usually you have the choice between stereo mode or mid/side mode in your plugins. Mid/Side Processing per BandД®ach band can have its own stereo placement (left, right, stereo, mid and side). So whenever your kick is playing, the bassline will be ducked at 54 Hz and only there! 7. If you know that your kick and your bassline have an issue at around 54 Hz, you can just side chain the bassline at 54 Hz with your kick. LetвЂ™s go back to the kick and bassline example. This is amazing! Especially when you know that there is a problematic area (see point 4). Instead of using the source material for your threshold in the dynamic EQ setting, you can also set up an external sidechain source. You can remove the resonance when it appears without compromising on the rest of sound when the resonance is not audible. It can be very useful to get rid of a resonance that only appears in certain parts of a sound. It anyway works pretty well and does the job in 99.9% of the cases. It is a bit of a simplified dynamic processing as there is no attack or release. If your kick has a Pro-Q 3 on its channel, you can then display the kick frequency spectrum in your bassline EQ! And not only that, Pro-Q 3 will show you overlapping frequencies respectively problematic areas like in the picture above. LetвЂ™s see you have put a Pro-Q 3 on your bassline. You can not only see the frequency spectrum pre EQ settings and post EQ settings but you can also let Pro-Q 3 display an external frequency spectrum (for example another track or a kick or a bassline). The spectrum analyser in Pro-Q 3 is something else! Honestly, itвЂ™s the best thing ever. I donвЂ™t know of any other EQ that offers this feature which again proofs that the Pro-Q 3 is the best EQ plugin on the market! 4. I did this for example on my track вЂLosing My MindвЂ™. But it can work wonders at gain scales of 10-30%. At 100% gain scale this will sound horrible. The EQ will analyse the reference and apply EQ settings to make it sound closer to the reference. In the end I can вЂEQ matchвЂ™ my track with my reference track. LetвЂ™s say I have a certain reference track that I try to work towards to in my mastering process. I like to use this in the mastering process.

I only learnt about this feature way later but it is one of a kind. That makes it an even better functionality than just a simple wet/dry knob in my humble opinion. This feature is a bit similar to a mix or wet/dry knob but it doesnвЂ™t affect shapes that do not work with gain (like a cut f.e.). This sometimes took ages! Now, with Pro-Q 3, you can do this in seconds. What to do? I used to apply a gain scale manually back in the days when I was still using equalizers from Sonalksis. Sometimes, for example you may have certain EQ settings that are a bit drastic but overall you may like the way it shapes the sound. It definitely is a unique feature and makes Pro-Q 3 stand out. I havenвЂ™t seen this in any other equalizer so far. This is amazing because you will be able to not only see resonances but also вЂhold them and pull them downвЂ™. You can basically grab a certain frequency in the spectrum and reduce it by pulling down at the white line. Spectrum grab is an amazing feature in Pro-Q 3. Conclusion вЂ“ why FabFilter Pro-Q 3 is the Best EQ Plugin on the Market.

Fabfilter pro q 3 side is silent